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ELLEN SPOLSKY, Sent Away from the Garden? The Pastoral Logic of Tasso, Marvell, and Haley


                which itself allows breaking away from established pa erns, trying
                out new ones.  Here, then, is a rewrite of the hypothesis in terms suit-
                able to literary study: every correction the body makes in order to
                match up whatever past experience has come forward to deal with
                the present, offers a new pa ern, that is, a new or revised abstraction
                as part of an ongoing negotiation, an exploration of the question of
                how much of the past is useful. How li le do I need from memory to
                move on with something new? Whatever representation works is
                good enough as a temporary resting (or testing) place, a useful com-
                promise, an accomplishment of the brain, that will itself be stored and
                elaborated further.
                     The challenge for cognitive literary scholars as they hypothesize
                the different ways in which people connect stored information and
                pa erns of imagery to the novel representations they encounter is to
                recognize evidence of usable disruption. As being hungry doesn’t
                guarantee the availability of healthy food, so it isn’t the case that we
                automatically make useful intelligence out of fiction. That we even do
                so reliably is doubtful, though it seems that growing children are usu-
                ally guided in their learning of the social contracts that produce satis-
                faction from fictions within their local cultural world. A set of contracts
                of fictional genres – both the forms of works of the imagination and
                also their functional genres - enable the distinguishing, for example,
                of tragedies from comedies. A culture’s functional genres, learned in
                context, will, on this model, suggest meaningful category distinctions,
                but individual artists and audiences remain free to decide which cat-
                egorization satisfies best in current circumstances.




                Other cognitive areas of investigation and possible connections

                Further research may eventually connect the predictive processing hy-
                pothesis to what has been called the default mode of brain function,
                and both to a literary theoretical perspective. We’d again be looking
                for functional interruption. Imaging studies have shown that brains
                spend as much time as they can, when not interrupted, precisely on
                the task of patching and connecting; on the task of building advanta-
                geous networks among what’s already in there and what’s new. This



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