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The Myth of the “other” War in the Diaries (1939-1945) of Piero
                Calamandrei
                VALERIA MOGAVERO
                This essay analyses the “democratic interventionism” professed by
                the great jurist Piero Calamandrei during the Great War and focuses
                on the persistence of the “myth of the Great War” in the ethical and
                political roots of his opposition to fascism over the following twen-
                ty-five years. The work shows how the outbreak of the Second World
                War revived Calamandrei’s sense of the democratic aspirations and
                the ideals of the Risorgimento tradition, leading to their identifica-
                tion with the “other” war as a means to emphasize the aggressive
                character of the new 1939-1945 war and the distortion of the old ide-
                als in the unnatural nazi-fascist alliance against the Western democ-
                racies. The essay also rereads the diaries written by Calamandrei
                during the Second World War and attempts to capture the modes
                and reasons for the claims made on every page regarding the demo-
                cratic tradition of the Great War.


                “War, about which there is nothing holy.” Literary Representations
                of the Great War in the Work of Slovak Priest-writers
                DANA HUČKOVÁ
                Although Slovak literature largely stagnated during the Great War,
                numerous works were produced as a reaction to militarism and to the
                inhumanity of war. Several writers from this period were Evangelical
                ministers or Catholic priests. Some (e.g., Vladimír Roy, Ignác Grebáč-
                Orlov, and Vladimír Hurban Vladimírov) made direct experience of
                the front as field curates on the Eastern and Southern fronts. Others
                (e.g. Martin Rázus and Štefan Krčméry) were wrote about the conse-
                quences of the war for common people away from the front. Ivan
                Lilge-Lysecký, finally, was sent to the ba lefields as an ordinary sol-
                dier. While most of these writers were Modernists, their works from
                the war period revived the genres of documentary Realism. The Great
                War also profoundly changed their understanding of the Church as
                an institution and of its social and moral mission. Aware of the dis-
                crepancy between Christ´s teachings and the involvement of churches
                in the war propaganda, the issue of faith as salvation from the horrors
                of war became crucial for them.



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